Welcome to the latest and, well, certainly the reddest offering from the somewhat enigmatically titled Gozi. We are pleased to present what we've tentatively called "Decidedly Crimson (with a bit of Black Ink)." It's art, you see. Very, very red art.
The Crimson Leg: The Long One. This print is undeniably dominated by two vertical, red forms. We're calling them "legs" because they look like legs, albeit very stylized legs, belonging to someone who is clearly far taller and redder than you. They start somewhere up near the top of the frame and go... well, they just keep going. This is for the enthusiast who likes their geometry bold and potentially disconcerting.
The Crimson Leg: The Less Long One. Accompanying the first leg is a second, slightly smaller red shape. It’s shorter and has a rather pointed toe. A veritable sibling rivalry has been captured here, visually speaking.
A Fine Assortment of Squiggles (in Black). Placed quite centrally, breaking up the sea of red, is a cluster of what we can only describe as very expressive black squiggles. It's possibly a bird, perhaps a strange fruit, or maybe the visual representation of an existential crisis in calligraphy form. We encourage you to interpret it, or simply nod at it and say "it’s deep."
The Final Punctuation (The Dots). To add a final, definitive note of abstract finality, there is a small trio of black dots at the top. Are they ellipsis? Or just some dots the artist had left over? We will, for the sake of the artistic mystery, never know.
"This is a piece for the discerning eye that finds symmetry quite tedious and prefers their color fields absolutely unmissable. It’s an exercise in modern abstract expressionism that asks, 'How red can we make it, really?' and the answer is: 'Considerably.'"
Artist: Gozi. (As stated on the corner. They're a person who uses a pen.)
Medium: Fine print. (Because "some red paint and a black pen" doesn't sound quite as impressive.)
Orientation: Vertical. For maximum red leg.
Framing Suggestions: We advise something simple and black. Anything gold or ornate would surely feel quite overwhelmed, and a little embarrassed. A clean, matte white border could also provide a moment of calm before the viewer is engulfed in red.
Pairs quite well with a slightly flat bottle of moderately priced Cabernet Sauvignon and an air of quiet, slightly confused sophistication.
Welcome to the latest and, well, certainly the reddest offering from the somewhat enigmatically titled Gozi. We are pleased to present what we've tentatively called "Decidedly Crimson (with a bit of Black Ink)." It's art, you see. Very, very red art.
The Crimson Leg: The Long One. This print is undeniably dominated by two vertical, red forms. We're calling them "legs" because they look like legs, albeit very stylized legs, belonging to someone who is clearly far taller and redder than you. They start somewhere up near the top of the frame and go... well, they just keep going. This is for the enthusiast who likes their geometry bold and potentially disconcerting.
The Crimson Leg: The Less Long One. Accompanying the first leg is a second, slightly smaller red shape. It’s shorter and has a rather pointed toe. A veritable sibling rivalry has been captured here, visually speaking.
A Fine Assortment of Squiggles (in Black). Placed quite centrally, breaking up the sea of red, is a cluster of what we can only describe as very expressive black squiggles. It's possibly a bird, perhaps a strange fruit, or maybe the visual representation of an existential crisis in calligraphy form. We encourage you to interpret it, or simply nod at it and say "it’s deep."
The Final Punctuation (The Dots). To add a final, definitive note of abstract finality, there is a small trio of black dots at the top. Are they ellipsis? Or just some dots the artist had left over? We will, for the sake of the artistic mystery, never know.
"This is a piece for the discerning eye that finds symmetry quite tedious and prefers their color fields absolutely unmissable. It’s an exercise in modern abstract expressionism that asks, 'How red can we make it, really?' and the answer is: 'Considerably.'"
Artist: Gozi. (As stated on the corner. They're a person who uses a pen.)
Medium: Fine print. (Because "some red paint and a black pen" doesn't sound quite as impressive.)
Orientation: Vertical. For maximum red leg.
Framing Suggestions: We advise something simple and black. Anything gold or ornate would surely feel quite overwhelmed, and a little embarrassed. A clean, matte white border could also provide a moment of calm before the viewer is engulfed in red.
Pairs quite well with a slightly flat bottle of moderately priced Cabernet Sauvignon and an air of quiet, slightly confused sophistication.
